Poetry
Poetry
 
            Gateway to the Valley
for my grandmother, Maureen Gonzales
 
 
Heading south on 77 was always a test in patience.
Miles of ranch littered with nothing more than watering 
holes—mesquite trees and Border Patrol always losing
their game—seeking maids and trabajadores.
 
King Ranch becomes—almost unbearable, 
barren highways, suddenly divided by—oleander walls;
the only indication—civilization does exist 
in this ghostly part of Texas.  
 
There!  Up ahead, palm trees lined in their perfect rows
marking the gateway—to the valley—
womb from which I was born.  
 
          At 16, I migrate—every year, 
          annual baptism in love.  Cultura.  
                                                 Familia.   
 
When I would enter the gate at Cottonwood Creek—turn left,
I could taste café con leche—pan dulce— 
feel the silk of furrowed hands against this face.   
 
¡Aquí estoy! I'm home!
 
She is gone.  And the road to her is marked Mont Meta 
Cemetery.  Miles south on 77 seem—impassable, 
in this child's eye.  Yes, this highway is still long—
and you can still see—
the devil dancing 
outside—
               so           damn           hot.   
 
The oleanders still— 
blush in summer.  
And the palm trees 
sway—in their greeting 
to all who enter
here—but the valley,
is no longer           
                       mine. 
 
Callendo Sobre el Piso
Look into her eyes.  See yourself.
                     Your mother.
                                 Unborn daughter.
                                
                                 Then you.
Laughter.  The story unravels—
                                                      before you.
Colors of coffee.
               Almond.
               Oak.
                 ~   ~   ~
Colors that paint 
women with bent backs picking 
cotton—
                            Lettuce.  Grapes.  
                           
                                                         Knuckles
             knead
             masa for tortillas con
 un poquitito de mantequilla callendo
             sobre el piso.
         
             ~   ~   ~
Young girls lost
en calor de pasión
                            with their clothes callendo
                            sobre 
                el piso—
                          
                                                    thirteen-year-old
                            bodies—
  
             torn—regretting callendo sobre el piso
             ~   ~   ~
Brown bellies about              to explode
—water—
              from between thin legs                callendo
              sobre               el piso      
                                        school books in one hand;
                                        life of pobreza—
                                                                     in the other.
             ~   ~   ~
You smile.  Then cry—
                                        know you’ve seen
those eyes before.
                              They belong to some
                                                               hermanita
or vecina           you see       
                               callendo sobre el piso—skinning
                               her knees.
                                                 
       Elbows.
            Our hearts.
Bio:  Celina Villagarcia
Celina Villagarcia’s roots are in the Rio Grande Valley, San Benito, Texas.  She earned her B.A. in Sociology at Metropolitan State University of Denver and most recently a Masters of Arts in Theology at Oblate School of Theology in May 2012.  She has lived in San Antonio, Texas for the past twelve years where she and her husband, Paul, find great pleasure in raising their four children.  An emerging poet, her work has appeared in Texas Poetry Calendar and San Antonio Express-News.  Her forthcoming collection of poetry, Pulp, will be published Autumn, 2013 by Mouthfeel Press.  Photo credit: Ashley Serene Photography.
